The Strike Best Not Remembered – Indianapolis 1926

Indianapolis 1920. Courtesy of the Indiana Historical Society

If the 1913 streetcar strikes were explosive and violent, the 1926 strike in Indianapolis was almost an afterthought. This article is a follow up to last weeks opining of the 1913 strike in Indianapolis a mere 13 years before. It is perhaps because of this it doesn’t even show up in historical annals online and was even glossed over in a history book of Indianapolis. Yet even so, it had the same push and pull between unions and companies that could have derailed into outright violence if it were not for the outing of one man – Harry Boggs. 

Harry Boggs was an ardent supporter of the unions and loudest in proposing the wage increase to .37 an hour and indeed, became a local union president. 

The Indianapolis Times reported in their July 14 1926 edition that: 
Explosives were placed on tracks in front of Illinois, College, Riverside, West Indianapolis, W. Washington and W. Michigan cars. A compound of potassium sulphate and sulphur (sic) was used, according to Detectives and Gaughan, who examined the unexploded charges. 

Purportedly the explosives were left in a sock and did a measure of damage. The reporter may have been confused and meant potassium chlorate or potassium nitrate as potassium sulphate was not going to get the results the strikers were looking for. 

Explosions derail and damage four cars carrying passengers. Sixty persons shaken up, several hurt, one severely. Windows of five houses shattered. Union head charges men employed by street railway with responsibility. Railway officials denies strikers’ charge. Citizens’ peace committee to get plan of action this afternoon. Surrounding of car barns to get workers to join strike practical failure due to police interference, union head says. Police kept on jump. Strikers donated $IOO by garment workers’ unions. State labor federation official calls on all unions to contribute money to strikers. Four street cars were derailed and damaged, sixty passengers shaken up, several injured, one severely and windows of five houses blown out in explosions last night. 

While the damage and the lives effected were considerably less than the 1913 strikes, all sides were quick to point fingers. The tensions of the strike — and the personal accusations — are reflected in this scene from Whiskey Covenant:: 

“Since when did you ever know what it was like to know if your family wasn’t fed?” Simpson snarled. “You got that big fancy house in Irvington!”  

Mick curbed his rage with effort. One thing that he couldn’t stand were men who held him in condemnation for circumstances they knew nothing about. “You think I ain’t ever wondered where the next meal was coming from? You ever been pulling in wages ‘cause your old man drank the rent away? Ever made sure a four-year-old didn’t go hungry ‘cause you was the only one bringing food home, working two or t’ree jobs at sixteen? Don’t stand there talkin’ about what I ain’t lived—’cause I lived it. And I made damn sure I’d never have to live it again. My children eat every day and sleep in a warm bed. And if I have to bootleg a l’le liquor to do it, t’en so be it. So don’t go t’rowin’ what I am now up to me.”  

The silence after this pronouncement felt as oppressive as the heat that pressed in around them. “Ach,” spat a man near the entrance. “He’s a workin’ man same as us. What good we gonna get from fighting among ourselves?”  

Another man pushed forward. Mick remembered him from the other night. The man he had thrown out of the fight. Johnson.  His bald head gleamed with sweat. “Maybe his bootlegin’ don’t matter to ya none, nor who he’s killed, but did any of you fellas know that he was in the vicinity of that streetcar explosion on Lambert the other night? Maybe he’s part of what we’re fighting’.”  

Mick rolled his eyes. “Yeah and so was you, Johnson. And who is ‘we’? You’re not strikin’ Why are you even here? You’re gettin’ your company bonus. What are you suggestin’, Johnson? That I planted the damn thing meself?” 

Boggs came forward. “Nobody’s makin’ outright accusations, Mick—just askin’ questions. You know how it looks.” 

“So I’m making contribution to your cause and also laying out explosives on t’ tracks. Well t’at makes a lot o’ sense,” Mick shot back, the sarcasm heavy in his voice. 

“I ain’t sayin’ it was union men. But the company sure as hell thinks it was,” Boggs said. They’ve uncovered undetonated explosives on the tracks on Wallace, Illinois and Meridian. Mostly the working class neighborhoods, same as on Lambert. Potassium sulfate and sulfur in socks.” 

“Work wool or mercerized?” Mick quipped. 

“Now is not the time for flippancy,” Boggs growled. 

“I’m not being flippant. I’m askin’ who is putting down explosives in t’ tracks t’at got people hurt. Railway men or union men?”  

Eamon scoffed. “T’at’s the trick, ain’t it? Blast goes off, company points the finger at us, never mind that workers were on that streetcar, never mind who really stands to gain from stoppin’ the strike.” 

As of July, Harry Boggs was firmly in the position of union president of the local chapter. As the Times reports 

“Harry Boggs, president of the car men’s union, at a mass meeting of strikers in Plumber’s Hall… admonished the men to refrain from congregating and violence or acts of vandalism.” 

The ones taking the biggest fall were the strike leaders John M. Parker and Robert Armstrong, but soon it would become apparent that not all was as it had seemed: 

CAR MEN DECLARE STRIKE WILL GO ON IN SPITE OF JAILING OF UNION LEADERS Judge Baltzell’s Ruling Finding Parker and Armstrong Guilty of Contempt to Be Appealed. OTHER OFFICERS EXPECTED Mass Meeting Planned Tonight Another Convicted. Although their leaders, John M. Parker and Robert Armstrong, ‘found guilty by Federal Judge Robert C. Baltzell of contempt of court, were in Marion county jail, striking street car men today declared they would continue the strike to a finish. Strikers said they expected other national officers of the Amalgamated Association of Street and Electric Railway Employees 

Merely the fact that someone had felt the need to resort to explosives which could have caused much more damage than they did (some of the rails effected had been safely removed with harm or injury to anyone) said all anyone needed to know. Someone was ready to take this to 1913 level escalation.  

But the streetcar men had other ideas. They worked the system differently. They started giving free rides on the streetcar – to everyone. It was insidious. But it worked. It gained public support and served to embarrass the streetcar company. 

A streetcar in Indianapolis, pictured about a decade after the 1926 strike. Courtesy of the Indiana Historical Society

Arbitration came at last, perhaps by men eager to avoid repeating 1913 as Indianapolis Times reports: 

Harry Dynes, Department of Labor representative, began efforts to settle the strike by arbitration as soon as the walkout was voted. He requested Mayor Duvall to call company officials and employees together for a discussion of differences. Duvall, however, refused to intercede until Judge Robert C. Baltzell rules on whether strikers are violating a Federal Court injunction. Efforts to bring the groups together might be in contempt of court, he said. “As mayor of the city I am taking no sides, but I am eager for a peaceful settlement,” he said. “There must be no violence. Police will be instructed to protect property and take drastic steps at the first show of trouble.” 

Harry Boggs, however proved to be the biggest embarrassment to the company and their biggest liability for in September the Times went on to report on September 9, 1926: 

Harry Boggs, president of the local street car men’s union during its strike, told Federal Judge Baltzell today that he had been in the employ of the company during the strike and for two weeks previous to its calling. He said that he had been paid $50 a week for giving the company “valuable information.” The admissions came In response to questions by the district attorney and Judge Baltzell, who thereupon sentenced Boggs to 120 days in Jail for violating the injunction obtained by the street car company against ‘interference with its service.” 

Boggs wasn’t just a weak link — he was the company’s inside man. In Whiskey Covenant, Boggs went to the one man who he thought could save him and discovered he would only be met with contempt: 

Boggs looked around him, peering at the faces of drinkers in the amber glow of the pendant lights. “They said I could find you here,” he rasped. 

“If you’re lookin’ for the bloody bastards you sold out, t’ey don’t usually come in here,” Mick told him acidly. He kicked out a chair for  Boggs. “Seems you have somet’in’ to say so sit down and say it.”  He kicked aside another chair and propped his boots up on it, leaning back and tossing off the rest of his moonshine. He nodded to Charlie when he caught his eye and Charlie nodded back, understanding and brought over a drink for Boggs and another one for Mick. Boggs sat down. He glanced at the drink like he didn’t know what to do with it. Mick watched him through narrowed eyes and waited.  

Boggs licked his lips. “I’m in a bit of a tight spot,” he said.  

“Ain’t we all.” 

“I mean, I’m scared for my life. Look, Daugherty, you gotta hear me out. I didn’t have a choice.” 

“T’at’s a funny t’ing to say, Boggs, since everyone else had one and managed not to sell out.” 

Boggs leaned forward. “I had debts, a’right? Big ones. Bigger than just late rent and unpaid tabs. Fifty a week—it was survival, Mick. I didn’t—” 

“You didn’t what, Boggs? Didn’t t’ink? Didn’t give a damn who you were burnin’ to keep your own head above water?” 

It was the strike that didn’t go down in history, partially because it nowhere reached the extent of violence its 1913 predecessor had done. But perhaps also for good reason that Boggs would expose the machinations of the railway companies; It was no unheard of companies to sabotage their own lines and blame it on union workers. It never came out how far Boggs had gone to sabotage rail lines. Perhaps, as so often happened in Indianapolis quiet money exchanged hands to keep the truth concealed. Boggs is not mentioned again in the press. A man who had sold out his own could only slink away in ignominy and hope that that was the worst of his comeuppance. 

And so the 1926 strike slipped quietly into obscurity — not because it lacked danger, but because the truth was too inconvenient for anyone to preserve. 

All photos courtesy of the Indiana Historical Society

A Tale of One City and Two Strikes

The early 20th century was known for a variety of social unrest in the United States not least of which came from the labor movement. Streetcar strikes were happening in about every major city, and Indianapolis was no exception with a strike that turned deadly Halloween night, 1913 and ran unchecked for four days. 

It’s the better known strike in Indianapolis. It was messy. It was volatile. But there is another one mentioned in the Indianapolis Times in 1926 that has been completely forgotten and doesn’t show up in history books or online at all. To better cover both of these, this blog will be in two parts. 

What stood out about the 1913 strike was how the police who were called upon to protect the streetcars, often turned their backs or even resigned. Many officers had once been streetcar operators themselves, or had close friends who still were. When ordered to protect the streetcars — or even operate them — loyalty won out. It was the biggest police mutiny in the history of the city. 

 Frequently, the streetcar companies would bring “scabs” from other cities, usually Chicago, hardened men brought in to operate the streetcars and willing to enter a kerfuffle with strikers should the need arise.  

Streetcar operators made shocking low wages even for the time before inflation, often only fifteen cents an hour and they worked six to seven days a week. Appeals for shorter working hours –  sometimes of up to fourteen hours a day – and increased pay was met with resistance by the street car companies. For their part, the  Amalgamated Association of Street and Electric Railway Employees of America began to unionize workers who were fired when their membership was discovered. It was a powder keg: long hours, starvation wages, and a company determined to break the union at any cost. 

Furthermore, even then Mayor Lew Shank seemed to take the side of the rioters, and Governor Ralston was reticent about intervening but as the situation continued to grow steadily more volatile, even he saw the need for calling out the National Guard.  

The unions for their part, brought in their own men, frequently recruited from underground fighting rings to fight the scabs. Is it any wonder there was general pandemonium in the streets? This atmosphere of desperation and violence is reflected in a flashback from Whiskey Covenant:: 

The warehouse smelled of sweat, iron, and something older—desperation. Rusted iron beams arced overhead, making the warehouse feel like a cage—a place that swallows men whole and spits them out as fighters, pawns, or corpses. 

Mick sat on an overturned crate, his body a landscape of bruises, unwrapping the bandages on his hands that he had so carefully wrapped before the fight. His knuckles were split, dried blood creating intricate maps across his hands, sticking to the fabric, as the blood dried. Each breath came with a quiet wince. The fights hadn’t been clean. They never were. Fatigue settled in on him like a cloak. 

Two men watched him. One was lean, sharp-eyed. He reminded Mick of a snake. There was the reptilian about him.  The other man broader, with hands that looked like they’d done their own share of fighting. His face was pockmarked in a landscape of scars and old traumas. They weren’t here to sympathize. They were here to assess. 

“How many fights you won this week?” The lean one asked. No introduction. No softening. 

Mick didn’t smile. Didn’t need to. “Enough.” 

Pockmark stepped closer, studying Mick like he was horseflesh. Checking the muscle, the potential. “You fight for money. Not for a cause.” 

“Money’s the only cause t’at matters,” Mick responded. 

Snakey’s mouth twitched. Not quite a smile. More like recognition. 

“How old are you?” 

“Eighteen,” Mick replied. 

“Been fightin’ long?” 

“In t’ ring? Couple o’ years.” 

“Indianapolis Terminal’s bringing in strikebreakers,” Pockmark said. “We need men who can handle themselves, can hold the line against the strikebreakers.” 

Mick knew what that meant. Muscle. Intimidation. Breaking more than just strikes. 

The lean man pulled an envelope from his jacket. Thick. Folded once, crisp edges. He didn’t immediately offer it. Just let Mick see it. A promise. A threat. A possibility. 

This was only the beginning. Money was offered to these men to hold the strike. Both the streetcar companies and the labor organizations were willing to do whatever it took to hold their own lines. Six trolly cars were destroyed and overhead lines were cut by strikers. 

Only twenty arrests were made the first day though six people were killed and over one hundred injured, some seriously. Over the weekend, crowds of up to ten thousand turned out in the street, overturning a streetcar, injuring thirty including two police officers.

1913 streetcar strikers gathered on Washington Street – Indianapolis Historical Society

I write about this vividly as a flashback chapter in Whiskey covenant as it influenced the eighteen year old Mick in the later labor movement of the 1920s: 

Mick dodged a bottle thrown his direction and it shattered on the pavement around him. Men and women were elbow to elbow on Washington Street. Even on a crisp November day, the heat of humanity and the tang of fear and blood was ripe in the streets. He jostled his way through the crowds to the lone trolley in the middle of the street, lilting dangerously. That it had made it this far from the terminal said something for the intrepidness of its novice driver, some strikebreaker brought in from out of town. Now, however, it was not going anywhere. The mass of humanity around it had swelled and surged in raw numbers. 

Mick continued to fight his way through the crowd. He had come armed with a heavy iron pipe. Most of the crowd were sympathetic with the strikers. But Mick found himself exchanging – and dodging – the occasional punch. On top of the streetcar, a lone, lanky figure was balanced as the streetcar lurched from side to side. The figure emitted a wild whoop and then one long, drawn out wolf howl. As Mick got closer, he recognized him.  Stanszek, if he recalled his name correctly, had given the arresting officer quite a turn by talking to invisible entities. He was always a little different.  

As Mick approached the trolley, Stanszek swung himself from the conveyance. He landed lightly near Mick and grinned. The scab who had been hired to operate the streetcar was surrounded and fighting off rioters. The car wasn’t going to go anywhere soon in any case. The cables had been cut and they sparked wildly. 

On November 6th, Governor Ralston met with angry crowds at the statehouse and his skillful diplomacy defused what could have gone on as a very dangerous situation.  In the end, the companies agreed to a paltry five percent increase in wages and to recognize the unions. Those strikers who had not been involved in violence were invited to return to their jobs. 

The 1913 streetcar riots shaped the political landscape of the city as it pertained to worker complaints and the minimum wage was increased to 28 cents an hour and workers were guaranteed one Sunday off a month and basic workplace safety requirements. Really puts things in perspective for what we complain about now! 

But the 1913 strike wasn’t the end of Indianapolis labor unrest — only the end of the part the city chose to remember 

We’ll continue this thread into another blog post next week which will take us into the much less talked about 1926 strike that was much less violent but no less politically nuanced. 

All photos courtesy of the Indianapolis Historical Society

Goosie Lee, Indiana Avenue, and the Notorious Hollywood Café

Indiana Avenue, south from Locke Street, Sinclair Gas, Salge Brothers Grocery, 1912 – Indiana Historical Society

Goosie Lee was one of those flamboyant characters that history tends to forget. He doesn’t have a very big role in Whiskey Covenant, but he serves to show that many cities during the Prohibition were run by the real players, like kings with their petty kingdoms, down sharply divided political, racial, and ethnic lines. 

Goosie Lee came from Tennessee where he was born in 1893 and came to Indianapolis with his parents in 1902. For a black man of his era, he made a big impact in Indianapolis during Prohibition and was eulogized at length in the 1943 Indianapolis Recorder when he passed:

Born in the Deep South, Mr. Lee was brought to Indianapolis when quite young. Destiny decided the course he was to take in later life. He rose from the depths to scale the heights of business success by his untiring devotion to friends and his unfaltering determination to forge ahead and to carve a niche for himself that would become the teachings of his loving mother. Maggie Lee. His life story reads like a fable. With a meager education he became a dominant figure in the civic, political and business life of the community. 

He was known for his operation of the Hollywood Cafe on Indiana Avenue, in what was then  known as the “colored section” of town. As influential as he was, he was not immune from raids and was subject to the occasional raids through the 1920s. Establishments like the Hollywood Cafe were well known also as gambling venues for the notorious “pea shakes” and numbers rackets.  Another such venue was the Slovene‑run Westside Club in West Indianapolis.  These gambling operations were easy to hide, hard to prosecute and most often the police looked the other way or were easily bribed anyway. These raids were often more performative than punitive.  

 In Whiskey Covenant, I tried to capture the atmosphere of Goosie’s world— the casual danger, and the way men like him operated with a mix of bravado and political protection. 

The Hollywood Café catered to an overwhelmingly colored clientele but was frequented by a smattering of white men bent on the gambling that Goosie had on offer. Mick stood at the entrance watching the room through a haze of smoke and jazz. A few men hunched over a worn and beaten plank that served as a bar. Goosie enjoyed a measure of protection from the Whitcombs, so he didn’t feel the need to have a doorman or a password to enter. There was a certain brazenness in how he ran his establishment. Almost every eye turned towards Mick as he entered. Goosie came forward. He and Mick knew one another casually. Mick had sold him booze one winter when Goosie’s usual supplier had been picked up by the police. Otherwise they didn’t run in the same circles. 

“You lookin for sumpin’, Daugherty?” 

“Someone,” Mick corrected him. Mick looked just past him, to the unmistakable sound of dry peas in a can, like a child’s homemade maraca. He’d laid eyes on the oil slicked hair of the only other white man in the Hollywood Café. “And I just found ‘im.” 

Goosie shrugged and flung a bar towel over his shoulder. “Suit yourself. If you gonna beat anyone up, take it outside, okay?” 

Goosie was working as a bond man in the early ‘20s when he was arrested for having  a car full of one gallon jugs of whiskey in his car. But at this point, who wasn’t running booze in certain sectors of the city? Still Goosie Lee ran the African American Republican Party, activism on Indiana Avenue and considered himself a respectable businessman regardless of whatever rackets he might have been involved with. He didn’t actively look for trouble. Still trouble had a way of coming to blind tigers run by those of any color, as Mick aptly demonstrates in Whiskey Covenant: 

Then, without warning or hesitation, Mick drove his boot into Barrett’s ribs. Once. Twice. A third time. Barrette groaned, curling in on himself, but Mick didn’t stop. A sharp kick to the side of his head sent the secretary sprawling, his body going limp against the pavement. 

Mick rolled his shoulders, exhaled, and looked down at the unconscious man at his feet. 

“Guess I’ll have to deliver t’ message myself.” He looked up and saw he had an audience. Goosie and some of his clientele had come out to the alleyway. They stood in silence. “Seen enough of t’ show?” Mick asked them crisply. “T’at’s all you’re gonna see. Don’t worry, Goosie, I ain’t gonna li’er your alley wit’ my trash.” 

He hauled Barrette upright and pulled him over his shoulders, carrying him to his car, he threw him in the back seat. Still, no one had said a word. He knew they wouldn’t. Goosie would say what he always said. “Let the white man’s problems be the white man’s problems.” Less said, less seen. 

Like the fictional Flying Dutchman and The Claddagh run by Mick Daugherty and many other such venues catering to varying clientele and social classes, Goosie Lee’s Hollywood Cafe is yet another real life blind tiger that contributed to the colorful and enigmatic history of Prohibition era Indianapolis that went unreported and often ignored. 

The Many Incarnations Of the Slippery Noodle

I like to write about real people and real places that weave seamlessly into the fictional worlds I build. One of my favorites is Moore’s Restaurant, the Prohibition‑era dive that appears throughout Whiskey Covenant. Today the building is known as The Slippery Noodle Inn, but its history stretches back far beyond its blues‑bar reputation. 

The structure began life as the Tremont House during the Civil War, and local lore insists it served as a stop on the Underground Railroad. The name Tremont House is still visible on the brick if you stand across South Meridian Street and look up. 

By the late 19th century it had become the Concordia House, a German‑American social club that fell out of favor during World War I when anti‑German sentiment swept Indianapolis. After that, the building shifted identities again, eventually becoming Moore’s Restaurant — though “restaurant” was generous even by Prohibition standards. 

During the 1920s and early 1930s, Moore’s had a reputation as the hangout for every underground heister in Indianapolis. The steak was supposedly decent, but the real draw was the booze, the gambling, the women, and the secrets. Stills bubbled in the basement. Politicians and cops drifted through the doors when they needed something done quietly. It was a place where the city’s filth pooled, and everyone knew it. For Mick Daugherty, it’s the perfect place to drop an ear to the ground: 

Moore’s wasn’t just a bar. It was the gutter where the city’s filth pooled—bootleggers, gamblers, pimps, union bosses, the kind of men who made things happen, legal or not. Politicians slunk through its doors like rats sniffing for opportunity. It was Mick’s backyard.  
Mick found his best fighters here. The ones who could take a beating and give it back twice as hard. If they had the right instincts, they moved up—enforcers, men who knew when to break bones and when to break spirits. Mick had been recruited here at seventeen after a drunken brawl in which he had faced off a brute twice his size. Hinkey Dink, one of the brashest, most colorful patrons of Moore’s, had picked him up off the floor and declared him just the material he needed in his prizefighting ring. Now Mick stepped into Moore’s, the dark interior exuding filth and vice, smelling of spilled whiskey and tobacco. The cops never raided this place. They knew better. It billed itself as a restaurant and indeed you could get a half decent steak, but what men really came here for was the booze and the secrets. He paused in the doorway, allowing his eyes to adjust to the dim lighting that gleamed off the pressed tin ceilings. About the only thing that gleamed in this place. The floor was cracked and warped. The brick walls were dingy. Everything had a veneer of tobacco smoke. 

Moore’s as it is today as The Slippery Noodle

Moore’s was notorious for attracting corrupt law enforcement, especially during the Duvall administration. And corrupt law enforcement in Mick’s pocket is an advantage he can’t afford to ignore. And Moore’s is just as lucrative for Mick in Devil’s Track as it is in Whiskey Covenant

Mick hadn’t anticipated seeing the cop in here, but so much the better. Any scuttlebutt was better than no scuttlebutt. “Well, if it ain’t the only bleedin’ cop in Indy who charges a fee to not solve a murder.” 

Fogarty looked around in the dim confines of Moore’s, till he saw Mick. He strode over to Mick’s table, throwing his Fedora on it and pulling up a chair and sat down. Well, if it ain’t the walking tax write-off who thinks ‘subtle’ is a word you boil in an Irish stew.

Mick flicked ash off the cigarette. ”You hoping to warn me or bury me, Fogarty? I forget which way your compass spins these days.” 

“I gotta ask,” Fogarty said, squinting at him. “How the hell does the Slovene over at the Westside owe you anything?” 

And Moore’s had a reputation for being a bit of a brothel as well as a purveyor of illicit booze and scuttlebutt.

He heard  Lilly come downstairs, her silk kimono trailing like a whisper behind her on the stairs.  She straddled his lap, silk slipping off one shoulder, scent of rosewater brushing his throat, as she leaned in and breathed deep. “That’s not my perfume,” she said. “No,” he admitted. “It’s isn’t. But it stayed on my coat. She didn’t” 

She didn’t pull away. Didn’t accuse. Just rested her cheek against his collarbone, her fingers curled loosely in the open neck of his shirt.  

 “Do I have to ask?”  

 He let out a breath, warm against her hair. “No.”  

 “Do I need to worry?”  He lifts her chin, eyes meeting hers without deflection.  

“Not unless I stop coming home.”  A long moment. Then she pressed her lips to the corner of his mouth. Not a kiss. A claim. And one he let her take.  

 “You go to Moore’s for what you need… and come home for what you want.” 

“I go for the talk, not the tumble,” he told her shortly. 

“Maybe not, but those girls would walk over broken glass to sink their claws into you. We both know it.” 

Moore’s was one of those places that was as gritty as it was colorful. Today the Slippery Noodle Inn is known as Indiana’s oldest continuously operating bar and one of the state’s most iconic blues venues. Even if you’ve never stepped inside, you know the name. It’s part of the city’s cultural vocabulary, the kind of place people speak of with a mix of nostalgia and pride. The ghosts of Moore’s are long gone, but the bones of the place still hum with history