Seed of Yggdrasil — a review

Of any book in my personal library, Maria Kvilhaug’s Seed of Yggdrasil is the most breathtaking in its depth, scope and insight. A graduate of the University of Oslo and a long time scholar of Germanic culture and myths as well as a scholar of the Norse language, Ms. Kvilhaug presents a  fascinating foray into the Norse myths as you have never seen them. I found myself murmuring as I read this book “Well that makes sense!” as she explored the myths from the perspective of an open-minded scientist and historian. When you see the myths, not as stories but as allegories, things begin to click into place. When you begin to see evolutionary flow in the stories, you then realize that all of it was intended to be allegory, as any religion founded in Nature, is.

She also writes of spiritual allegory. “When one realizes that a Viking prince has to fight a giant called Hatred, another called Rage and must be reborn in order to win a battle he lost in his previous life, the Battle of the Rock of Greed, in order to restore the Peace of Wisdom and gain entry into the divine afterlife, what at first sight appears to be just another heroic legend of a tough guy who fights giants, become s a spiritual parable. In fact, the moment I started to apply my translated names to the old texts, a whole new world unraveled itself, a world of spiritual concerns, ageless wisdom and metaphysical and philosophical speculation; speculation that is sometimes almost compatible with modern scientific theories.”

Even if you have only a casual interest in the subject of Norse mythology, The Seed of Yggdrasil makes the myths much easier to understand. Furthermore, since the author is a Norse scholar, she is qualified to make judgement calls on translations of certain words, to which she adds her explanation as to why she does. Not only did I gain greater insight into the stories and the all probable likelihood of their place on, I gained greater insight into how the people of the Norse Culture saw their world.

Easy to read and understand, The Seed of Yggdrasil takes on an almost meditative, spiritual experience. Her deeply delving understanding of the Old Norse texts and her unwillingness to take anything previous scholars have written at mere face value without holding it up to the light of in-depth research, her a highly qualified writer on the subject. Because of her extensive studies in Old Norse, she is not simply regurgitating anything that has already been written. She writes about translating a passage from Konungsbók (The Book of the King, written around 1200 CE) while at the University of Oslo and remembers doing a double take at a passage that read “The Earth is as round as a globe.” Clearly the early medieval people comprehended much more than we give them credit for. As any reader of this book will see, Kvilhaug delves extensively into the cosmic myths of the Norse and when seen under her lens, they are seen with fresh insight. It is truly a remarkable experience.

My only pique with this book was not the price, though it was considerable. I paid over fifty dollars for it on Amazon, yet considered it immensely worth it. My issue stems from the fact it does not contain an index. I bought it for research purposes and I found the lack of an index somewhat debilitating. However, I was not adverse to reading such a book cover to cover merely for enjoyment. At well over six hundred pages, it is not a quick read, but certainly a memorable one.

A Gathering of Ravens by Scott Oden: a review by Gretchen Brown

As the ways of the old gods fades to twilight and the religion of the White Christ sweeps Britain, we are brought into the dark cold world of A Gathering of Ravens, a beautiful compilation of both historical fiction and fantasy genres. Scott Oden’s writing is easily readable, yet hauntingly poetic and evocative in style of the Eddas or even the Anglo-Saxon Beowulf itself. The author gives us a theme with characters sharing a little of each side of the yawning chasm of morality with themselves and the readers. Ultimately, morality is defined for us as honor, to oneself and to those to whom one has sworn allegiance, a basic and ancient code integral to the Norse culture.

We follow a young Christian Anglo-Saxon monastic Etain who travels in the company of a Christian Dane, Njall. After the apparent death of Njall, she becomes the unwilling travel companion of the monstrous Grimnir, a creature who can best be described as kinsman to Grendel an orcneas, or orc. Grimnir is Corpse-maker and Life-quencher, the Bringer of Night, the Son of the Wolf and Brother of the Serpent. Like his namesake the Norse god Odin, Grimnir comes with many names, is complex, not always easily understandable and hardly predictable. Bent on cold revenge for an ancient slight, Grimnir is an unlikely protagonist, not at all likable, yet we are always rooting for him. His reasons for doing things are not always clear, perhaps not even to himself. He is a faithful follower of Odin, while spewing contempt on the humans, particularly any who follow the White Christ. Etain must walk in his world while remaining true to her own beliefs.  While doing so, it gives her an opportunity to feel compassion and loyalty for the prickly-natured Grimnir.

Their journey takes us from Anglo Saxon England and culminates in Ireland with a lineup of Irish kings and sorcerers, Norse warlords and Danish refugees who clash outside the walls of Norse-occupied Dubhlinn. They become separated, face many dangers, together and apart, yet curiously, Etain continues to be loyal to her captor, to see something in him others cannot.

Some readers more used to a modern writing style may find the Edda-like poetic passages that the author interspersed into the main body of the narrative, off-putting. I thoroughly enjoyed them for the authentic mood they conveyed. It may also be an easier read to those who more familiar with the historical period and the manner of speaking. He includes many italicized words perhaps not familiar to the average reader, though this is not meant to be a criticism as I felt he placed them in enough context, which the “uninitiated” as it were, could keep up. That said, this is not “fluff” fiction.

The only thing that confused me and took me out of the story was the strange time travel via the World Tree Yggdrasil.

Ultimately, A Gathering of Ravens will have you turning the pages, surprised by the twists and captivated by the moving quality of the author’s use of language. His characters are neither flat, nor one-dimensional, but will stay with you long after you have reached the end, hungering for more.

Click here to be taken to the details page on Amazon.com

Lost to the West by Lars Brownsworth – a review by Gretchen Brown

Lars Brownsworth brings us the Byzantine Empire in all her pomp and glitter, political intrigue, poison, assassination and seduction. Most people who consider themselves somewhat knowledgeable about history and even the Roman Empire, fall short when it comes to knowledge of the eastern half that endured for another eleven centuries after Rome fell to the barbarians in her midst. As Roman troops withdraw from Britain to cover their losses back at home and Christianity begins to sweep the Empire, a new leader emerges to change the face of Rome forever.  Any history of Byzantium rightly begins with Constantine and it is on his shoulders that Brownsworth leaves the beginning.

We often define the Byzantine Empire beginning where the Western Roman Empire left off. As Brownsworth aptly illustrates there was no abrupt handover. Rome did not even “fall” in the strictest sense. Yes, the Goths and Visigoths took down her great city, but Rome in the West had been declining gradually for some time, while in the East, the Empire had been experiencing something the West would not see for many more centuries – a Renaissance. Constantine places the new capital between the Black Sea and the Mediterranean, and in a stroke of typical egotism, names it after himself.

Brownsworth covers the next several centuries in a whirl of emperors, Hunnic invasions and Christian heresies. He does so through a series of vignettes, graphic tales and titillating tidbits. He covers Justinian, the Muslim threat from the east, the institution of the Varangian Guard and the Bulgarian wars under the reign of Basil II and the golden age of Byzantium. He spends much more time in the earlier centuries and fewer pages on the golden age of the empire, Constantinople’s tragic role in the Crusades and the downfall of the Byzantine Empire.

For readers of Alan W. Eckart’s works on American frontier history, Brownsworth’s approach is similar, condensing otherwise  dry academia into a readable work for the average armchair historian. The strength of this book is that the author has a genuine passion for the history of the Eastern Roman Empire and it shows in his enthusiasm for his subject in these pages while showing  a real flair for the dramatic. The major drawback is that he may have sacrificed some academic accuracy for dramatic flair.

The main weakness to this book is that it is attempting to deal a broad stroke at a very broad subject within three hundred or so pages. Brownsworth faces a monumental task in condensing over a thousand years of Byzantine history in a few hundred pages. The Byzantine Empire is a subject that is too expansive a scope to handle in one book. Yet he does a good job of catching the highlights and making them readable. While certainly not for the serious academic, who will need a more in depth approach with more primary sources cited, it is an excellent and entertaining introduction written for the casual reader. Have you read this book? What did you think? Let me know your thoughts below.

You can get the book here: