Harold Hadrada, Last of an Era

Harold Hadrada from a window in Kirkwall Cathedral. Image courtesy of Wikimedia Commons

  A fair amount of time has elapsed since last I blogged. I have been writing, but I have been attempting to put all my available time into finishing the rough draft of The Bone Goddess. Keeping in mind the necessity of continuity, I have also been continuing the research necessary to carry The Bone Goddess into the fourth book The Red Empress. I am very excited about The Red Empress. In this fourth installment of the Varangian Saga, we will meet Harold Hadrada, the real-life, exiled king of Norway, and for a time, a member of the Varangian Guard. Harold was larger than life, even according to Byzantine records, let alone the Norse Sagas. There is enough written about him that research is easy (by comparison with more obscure historical figures I have included in my work) and he practically jumps out from the page, earning him a rightful place not only in the annals of the Byzantine empire or his native Norway, but English history as well.

Battle of Stiklestad

Harold was born in Norway around 1015 CE, as Harold Sigurdson, later earning the epithet Hadrada, meaning “hard-ruler” or stern-ruler”. He was so famous in the sagas for his witty comebacks and a complete inability of being brought to heel by his Byzantine superiors, I rather think of him as a light-hearted prankster with a serious disregard for authority than being a “hard-ruler”. He certainly did have a way of thinking outside the box. He was forced into exile when he was only fifteen years old, after defeat in the battle of Stiklestad alongside his older half-brother. He sought refuge with his kinsman, Prince Jarolsav of Kiev, the son of the famous and infamous Prince Vladimir who changed the course of Russian history by taking the sister of Basil II as his bride.

Soon thereafter, he assembled a troupe of around five hundred men and sailed down to Constantinople to join the Varangian Guard. History seems to indicate that he and his men were sent to join the regular forces in Anatolia, fighting the Muslims at the borders of the empire before they could be accepted into the Varangian Guard. Entering the Guard necessitated an entry fee of anywhere from three to five pounds of gold to join its elite ranks, so they may have had to prove themselves as well as earn the fee. According to Sígfus Blöndal, in his book Varangians of Byzantium, he created quite a name for himself by taking down eighty Arab strongholds. They were also sent to fight the Penchenegs, an ever-troublesome group of nomads who were famous for harassing commerce down the Dnieper River in the Black Sea.

  We know that at some point he was sent to escort pilgrims and workers destined to reestablish the Church of the Holy Sepulcher in Jerusalem. This church was of some significance as it was supposed to have been built over the site of Christ’s tomb. The cave that was purported to be the holy tomb, was in fact filled in by the Emperor Hadrian to create a flat surface for the construction of a temple to Aphrodite. The church built on the site of the temple had been built, burnt down and destroyed and built again numerous times. In 1027 Caliph Ali az-Zahir (the son of Caliph al-Hakim, the mad caliph from The Plague Casket) gave permission for rebuilding the church. The reconstruction took place under several emperors, starting with Romanos III, the first husband of Empress Zoe Porphyrogenita. Later the church would become the focus of the Knights Templar, convinced that they would find Christ’s tomb beneath the church. Perhaps they were looking for something else? A clue to the Holy Grail? Or perhaps they sought an idea, akin to Gnosticism. The Knights Templar have been connected by various historians to the Cathars also known as the Albigensians, who likewise stemmed from the Gnostic Bogomils of Bulgaria. Did they seek Hermetic mysteries? An actual cup? Clues to the bloodline of Jesus? So many theories have been proposed and exhausted, I will not expand upon it here.   

 Whatever Harold’s connection to the events at the Church of the Sepulcher may have been, he was soon on to bigger and better things, but this time promoted to the position of protospatharios after his tour in Sicily fighting the Arabs alongside the Empire’s Norman and Lombard allies.

The ethnic unity among the Germanic people of the time must have been strong. One incident serves to illustrate this. The leader of the Lombards, at that time allied with the Byzantines was one Arduin. He sought to keep a magnificent stallion captured from the Arabs. George Maniakes, strategos on this campaign thought the horse was better suited to himself. He demanded that the Lombard relinquish the animal at which Arduin steadfastly refused. So Maniakes ordered him stripped and beaten. The Lombards were horrified at the treatment of their leader and decided to wash their hand of Maniakes and his campaign. Seeing this, the Normans under William deHautville aka Iron Arm also withdrew their forces. Finally, the Varangian Guard under Harold Hadrada seeing that the Lombards and the Normans take a stand, also withdrew, effectively leaving George Maniakes holding the bag. Eventually Maniakes’ endeavor was a failure and Sicily was overrun by the Arabs and it was as if the entire effort had never been.

Harold himself was more than a little prideful. However, he may have been able to blame Maniakes for eventually being charged with embezzling and was thrown in prison. More than likely Maniakes wanted him out of the way. All this came to a head when Michael V overstepped his bounds and underestimated his step-mother Zoe’s popularity with her subjects. Outright revolt took over Constantinople in 1042 and in the ensuing scuffle, Hadrada and his associates were released from prison and championed Zoe and her return to the throne. As for Maniakes himself, he revolted against Emperor Constantine IX in that same year and was killed in Thessalonica by troops loyal to Constantine. That however is a story for another day.

For his part, Harold was by now restless. The ever-ineffable Zoe had taken on her third husband Constantine IX. Harold had heard that his minor nephew had been set on his throne back home on Norway and he was anxious to set sail. Zoe forbade him to leave. Once Harold set his mind to something however, there was no going back. The sea chains were stretched across the Bosporus to block his escape. Harold had his men put their weight into the stern of their longships and the graceful vessels were rowed in such a way that the bow rose over the sea chains. Then they moved their weight to the bow and “jumped” the chains, two ships of the three escaping into the Black Sea and headed to Kiev. Harold later reclaimed his throne and had many more “grand adventures” finally laying claim to the English throne, the last “Viking King” before he met a fateful end at the battle of Stamford Bridge in 1066.  

The Battle of Hastings in 1066 (oil on canvas) by Debon, Francois Hippolyte (1807-72); Musee des Beaux-Arts, Caen, France; English, out of copyright.

When Harold of England was told that Harold of Norway was on his way to invade England, he declared that he would “give him just six feet of English soil; or since they say he is a tall man I will give him seven!” This event marked the true and final end of the Viking Age. Harold and all his men fell at Stamford Bridge, the bridge itself according to legend held heroically by a lone berserker against the English defenders, before he too succumbed to the thrust of an English spear. Later, the exhausted, yet victorious English turned southward to Hastings. They were in turn defeated by William of Normandy, a Norsemen only once removed by the French language and the Catholic religion, but himself a descendant of Viking invaders of France only a few generations before. Who better than a man like Harold Hadrada, larger than life and occupying “seven feet of English soil” to mark an end that was so studded with memorable heroes?

Birchbark Manuscripts

Yes. It has been a long time. It has been a busy summer and when I have had writing time, I have devoted it to my third novel The Bone Goddess, or on research.

My research has taken me down many pathways. One of the recent pathways has been learning about writing as it pertains to the culture of the Rus in the time period about which I am writing.

In The Bone Goddess, Rastislav is a former volkhv – a Slavic pagan priest or magician – and a recent convert to Christianity. He wishes to learn to train to be a monk in Novgorod. Even this more minor aspect of the story led me down an interesting rabbit-hole of research.

Rastislav hesitated. “I have seen the ruthless retaliation of Dobrynya and I fear for those at home. That he may turn his attention next to them.”

Now it was Nicetas’ turn to sigh. “Rastislav, even though you are convinced that your people are being persecuted for their faith, you must remember that the men and women you saw hanged on that wall, were hanged for inciting rebellion, and for murder in their role in the deaths of Dobrynya’s family. As long as the people you speak of have done nothing to incite rebellion and violence against their rulers, I do not see why you should fear for them. If you must go to see to their welfare, then go. But I should hate to see you interrupt your studies now when you have been doing so well. If you can finally learn to let go of your heathenish leanings, we might make a proper monastic of you yet.”

Rastislav sat on the rain-slick log next to Father Nicetas. Ignoring how the damp soaked through his clothes, he clasped his hands together and looked at them in silence. “You are right, Father. I should not be so hasty.”

“Very well then. I do believe there is still some copying to do from the Gospel of Saint John. I have some freshly prepared ink. But I think you would do better to ply your chicken scratches on birchbark as yet.  Bring a little water from the spring and I shall make an infusion of mugwort. It does well for mental clarity and focus, which I think you need much of, Rastislav.”

To a young neophyte like Rastislav, birchbark would have been a readily available resource for practicing writing on or copying down the gospels and Psalter in order to commit them to memory.

Simon Franklin writes in his Writing, Society and Culture in Early Rus c. 950-1300 “Birch bark was primarily (though not exclusively) a medium associated with economic activities in the urban community.”

A case in point is the following example from the middle of the 14th century.

Here, Yakov has settled with Gyurgiy and with Khartitonvby courtless deed Gyurgiy has gotten [at court] concerning trampled [by horses] wheat and Khariton concerning his loss. Gyurgiy got one rouble [money], three grivnas [money], and basket [measure] of wheat for all that, and Khariton got ten cubits of cloth and one grivna. And Gyurgiy and Khariton have no more concern to Yakov, nor Yakov to Gyurgiy and Khariton. And arrangers and perceivers to that are Davyd, son of Luka, and Stepan Taishin.

Some are poignant and touching with at least one being a letter from one lover to another. Still another one, pictured below could be the scrawl of any child today.

Birch bark was easily procured and cheap. Franklin further elaborated the common preparation of birchbark for writing: “To prepare birchbark for writing, the coarse layers were stripped away to leave a smooth, flexible strip which then perhaps was soaked or boiled for additional elasticity. Letter were scored on the inner – and softer – surface with a sharp-pointed stylus of metal, wood or bone.”

Parchment, by contrast, was far more expensive and laborious to produce. The parchment for a modest sized book would be prepared from as many as half a dozen calf skins.

As many things as you can think of to scribble on a notepad today, were scribbled on the Novgorodian birchbarks. Sermons, prayers, jokes, school lessons, and household advice. Wills, receipts, deeds etcetera were also written on birchbark. Thousands of these documents have been unearthed, not just at Novgorod, but throughout Russia and the Ukraine.

These documents have survived largely due to the nature of the clay soil they were found in that prevented oxygen from reaching them. Thanks to this and the tireless efforts of archaeologists, we have a peek into the past through the eyes of the men and women of Novgorod.

Another space of time since a blog entry. I have been writing, but still focused on the third book, at this point still titled The Bone Goddess. It has been an interesting adventure, not least of which the twists and turns it takes that I don’t always expect. Sometimes this is because of characters who do things that I didn’t plan for or expect and then I decide to just go with it. It has a strange way of working out anyway. One such character is Þórsteinn.

Þórsteinn Dromund is a character who is based on (okay more inspired by at this point) Grettir’s Saga, an Icelandic saga. The Saga is lengthy and goes on about many things, but essentially Þórsteinn’s part in it starts with his brother, Grettir who is killed by a man named Þórbjørn who then proceeds to make his way to Constantinople and join the Varangian Guard. Þórsteinn follows him there and also joins the Varangian Guard in order to slay him. He is in the Guard for some time, before Þórbjørn shows himself, by drawing the nicked sword that he had taken off Þórsteinn’s brother Grettir. Without further ado, Þórsteinn takes the sword and kills his brother’s killer. This act of violence of course earns him an arrest and the possibility of a death sentence. Now Þórsteinn is a very fine singer and one day he is heard from his prison cell, singing by a bored lady named Spes (who we can only guess is also Norse as she is married to a man named Sigurd) and she falls in love with Þórsteinn. She is very wealthy and ransoms him and the rest is more or less predictable and it is easy to see where the romantic troubadours of the medieval era got their ideas of courtly love.

This is some silly seventeenth century artist’s idea of what Grettir looked like.

I diverged quite a bit from Grettir’s Saga. Part of this is no fault of mine. Characters tend to have a mind of their own, as I said. In my version, prior to his journey to Constantinople, Þórsteinn finds himself in Kiev and then in Novgorod. He falls in with a young Varangian named Gamli who engages him in a business proposition which finds out young hero with a band of Varangian merchant adventurers on a boat down the Dnieper River. At some point, while making portage around the southernmost of the rapids, they find themselves attacked by Penchenegs and Þórsteinn, our klutzy hero finds himself trapped under their boat that slides down the river embankment. Knocked out, he wakes to find himself alone and injured. Through a series of adventures he manages to make it to Constantinople to join the Varangian Guard. However, as the writer, I found the whole injury with the boat, to be unexpected. Þórsteinn trudges off with his three pounds of gold (the standard entry fee into the Varangian Guard) to sign up. He is promptly disqualified because of his bum leg.

He trudges back.

Author: Why are you here? You are supposed to be a member of the Varangian Guard and be on the hunt for Þórbjørn by now.

Þórsteinn: I can’t. They told me I couldn’t join up because of my permanent leg injury.

Author: Oh that’s very nice. You go get yourself hurt, which wasn’t even in our original outline and now this happens. You sure did screw things up.

Þórsteinn: (offended) How was I supposed to see that boat sliding down the embankment? That’s Helgi’s fault.

Author: Is Helgi even a character?

Þórsteinn: He is now.

Author: So how are you supposed to find Þórbjørn now?

Þórsteinn: I could inquire in some of the tavernas.

Author: We really need to work on your character development.

Þórsteinn (bristling) I suppose you’d be happier if I just got myself killed by Penchenegs.

Author: No. No. That would mess things up too. You aren’t supposed to die yet.

Þórsteinn: Wait. What? I die?

So yes, sometimes stories take a different twist than one originally intended thanks to klutzy or perhaps just – ahem – outright stubborn characters (Þórsteinn: Hey I heard that!) but sometimes you just have to go with it and it makes it more interesting.

Beside which the fictional Þórsteinn really isn’t a very good singer.

Þórsteinn: Hey!

Since the last time we met…

I have left quite a gap of time since my last blog post. It has been quite a busy month or two. When I have gotten the chance to write, it has been to finish up the first draft of The Plague Casket and to begin on the third book: The Bone Goddess.

I am pretty excited about the third book. It may be the longest of the three, because there will be so many loose ends to tie up. It takes place over about a five year period and covers both Rus’ (what is today the Ukraine) and Bulgaria. A large part of it is taken up with Basil II’s Balkan wars.

I am asked by some when I am planning on looking into publishing. My reason for delaying it is simple. Because of the complex nature of the trilogy that I am writing, it requires constant vigilance to make sure there is continuity. I really do try for historical authenticity when I can and very rarely diverge from that. So there is quite a bit of historical research, but the research for this one has been the easiest yet. Possibly some of this may be because I am building on the research I have already established earlier.

With that in mind, I am working another idea for a blog post and this may be excerpted form the history I am using for The Bone Goddess. More on that soon…

The Year 536

The Jotuns were notorious frost giants of Norse myth. Could the
Fimbulvetr of 536 been thought to have been their doing?

I have not had much time to write blog articles lately due to family concerns, though I have made progress on the second book of the Varangian Chronicles and with only about sixty more pages to go, there is an end in sight. With winter battering the area where I live, and snow and ice making the roads all but impassable, one thinks of the year of 536 and the darkness that settled over Europe for at least three years. George R. R. Martin writes of winters that last years in his Song of Ice and Fire series. In reality, there is an historical basis for just such a winter.

There is indication that a volcanic eruption from a super volcano that occurred in the tropics (possibly in El Salvador) caused this devastation. Recent studies from Harvard are looking into the eruption of a super volcano in Iceland early that year as well. Two other eruptions in Iceland were reported to have occurred in 540 and 547. Volcanic ash and sulfuric particles called aerosols released into the the atmosphere resulted in eighteen months of virtually no sunlight. Crops failed, it grew abnormally cold and may even have led to the events a few years later that caused Justinian’s Plague. The effects of the plague in 541 were felt as far west as Ireland, a country already staggering under the effects of the volcanic eruption. The Byzantine historian Procopious writes of the time:

It came about that a most dread portent took place. For the sun gave forth its light without brightness, like the moon, during this whole year, and it seemed exceedingly like the sun in eclipse, for the beams it shed were not clear nor such as it is accustomed to shed. And from this time when this thing happened men were free neither from war nor pestilence nor any other thing leading to death. And it was the time when Justinian was in the tenth year of his reign.

The early Germanic people believed that Fimbulvetr or in English Fimblewinter (a harsh winter) would occur prior to Ragnarok which would herald three years of no summer. Indeed, the Irish Annals of Innisfallen mention a time “without bread” from the years 536 to 539. Europe was very nearly brought ti its knees by this catastrophe and was n no shape to face the near annihilation of the known world a few years later when Justinian’s Plague broke out, killing an estimayed fifty million people. It was was supposed to have broken out in Constantinople, brought on grain ships from Egypt. Furthermore, it has been speculated that the eruption may have been responsible for the plague as the changing climate drove the rodents carrying the Yersinia pestis laden fleas into contact with the rats that would ultimately carry them to the grain ships bound for Constantinople.

There is ample archaeological and historical evidence to show a near agricultural and societal collapse on a massive scale in Northern Europe. Ice cores from Greenland and Antarctica show residue from sulfuric deposits indicating a volcanic eruption (of not several) of great magnitude. Tree ring dating shows drastically slowed growth in trees of this time. Scientific data extracted from tree rings in Scandinavia and Ireland and historic sources that mention a “failure of bread” have given us a bleak picture of the year 536.

The hardship during these years forced the Great Migration which saw Germanic tribes making their way westward and doubtlessly effected the Germanic invasion of England. It is simple logic that peole began to move about hoping to survive as their crops failed and their livestock and children died or failed to thrive. Rome had already pulled out of Britain, looking to secure its home defense as the Goths and Visigoths moved in. Britain was ripe for the taking though certainly faring no better than anywhere else in Europe.

The Völuspá (Prophesy of the Volva), a poem from the Norse Poetic Edda tells us:

The sun turns black, | earth sinks in the sea,
The hot stars down | from heaven are whirled;
Fierce grows the steam | and the life-feeding flame,
Till fire leaps high | about heaven itself.

In fact it has several references to the long darkness that was to come to Europe:

The giantess old | in Ironwood sat,
In the east, and bore | the brood of Fenrir;
Among these one | in monster’s guise
Was soon to steal | the sun from the sky.

There feeds he full | on the flesh of the dead,
And the home of the gods | he reddens with gore;
Dark grows the sun, | and in summer soon
Come mighty storms: | would you know yet more?

It goes on to speak of the battle of Ragnarok

Brothers will fight
and kill each other,
sisters’ children
will defile kinship.
It is harsh in the world,
whoredom rife
—an axe age, a sword age
—shields are riven—
a wind age, a wolf age—
before the world goes headlong.
No man will have
mercy on another.

History tells us of wars and raids initiated by such people as the Avars and and the Lombards as well as the Huns during this period. It truly was a “wolf-age”. Was Ragnarok based on an actual event that had already occurred and not some far off event like the biblical myth of Armageddon?

Perhaps the most startling thing to come out of all of this was how it effected the mostly Germanic languages spoken in Europe. The proto-Norse language died about this time, giving way to an early form of Old Norse. Runic inscriptions release clues that tell us language was developing so rapidly at tis time that a younger generation to survive the near annihilation of Europeans at this time would have spoken a different language than their grandparents! The crisis caused a startling shift in demographics. With this shift, this was quite possibly caused the Elder Futhark runes to gave way to the Younger Futhark with far fewer runes, indicating much knowledge had been lost. There was no older generation to pass down such knowledge. We may never know the full scale of such an event and how it effected our ancestors and to what effect this may have had even on us in the present day. One thing is for certain, climate change is nothing new, happening again and again in cyclical fashion. Scientists tell us that super volcanoes like Yellowstone are overdue for eruption. How we would fare again in the face of such a disaster, we can only speculate.

Hel’s Wintry Breath

With Yuletide come and gone, I can hopefully finally settle back to a reasonable writing routine. Winter is a time of stillness and repose, or at least to my mind, it should be. True, there are always family obligations and a never-ending litany of things that must be done, but it invites the mind to turn inward. As I looked out upon the – as yet- – snowless landscape it struck me that winter, like Hel, the old Norse goddess of the underworld, strips away all illusions. Once the trees lay bare of their garment of leaves and the grass lies dormant, beaten down and dead, you can see the landscape for what it truly is. The trees stand against a winter sky like bones. There is no greenery to give them flesh as mother earth lies dormant for another season. Would that all could be so simple, with illusions stripped away and lies seen for what they are. Death is like that. Like winter it gives no illusions and like winter it gives dormancy and a much- needed rest to the earth. We are reminded of Hel’s lessons. Impermanence. Fate. Sacrifice. Happiness is nothing without pain. Summer is made more brilliant because of winter. Life more beautiful because of death.

Such is the developing theme in my novel the working title of which thus far is The Bone Goddess. The Bone Goddess has many themes in many cultures. In the Slavic culture which is the more prevalent one in my third book of the Varangian Chronicles, she is Mara, a deity much like the Norse Hel. She later became the folk character Baba Yaga, best known as a witch tho lives on a house with stilts of gigantic chicken legs and reminds us of the witch in the German folk tale, Hansel and Gretel. We are afraid of characters like Baba Yaga or Hel, because they remind us of our own mortality. We shy away from the lessons she teaches us, even the one that in spite of our own mortality, there is really no death. All things cycle into new life. The animal that dies in the forest decays and becomes part of the soil, feeding the insects and the crows in the process. If all life is energy and energy is a never ending recycling process and constant refeeding upon itself, then nothing every truly dies that does not become new energy.

Hermod appeals to Hel

This concept was well understood by our pre-Christian ancestors as the time of the solstice or Yule was a celebration of the death of the sun and the eventual return of longer days and rebirth. One of the few stories told of Hel embodies this. When jealous Loki sought the destruction of Odin’s son Baldur (a representation of the sun) he came upon a means of trickery to do so. Baldur began to have dreams of his impending death and so his mother, Frigg went throughout the earth to make all things living and inanimate swear not to hurt her son. Only the mistletoe had failed to swear an oath but Frigg thought it too small and of little consequence to swear an oath. Delighted that to find that he was impervious to all weapons and poisons, the gods began to throw darts and weapons at him and he was unharmed by all. But Loki, dark-souled and jealous, convinced Baldur’s blind brother Hod to throw a dart made of mistletoe at Baldur and so caused his death. The legend is that Friggs’ tears turned to the white berries of the mistletoe as a symbol of her love for him. She forgave the plant and decreed it should be a symbol of love and friendship, which is why we have the tradition of kissing under the mistletoe to this day at Christmastime. When Baldur was consigned to the realm of Hel, Helheim, Hermod, another son of Odin made the journey down to the roots of the world Tree to implore his release. It is a mark of the respect that Hel held for Odin that she was willing to concede on the condition that all things in the world must weep for him. All agreed, except for a giantess named Þökk , really Loki in disguise. And so Hel kept her prestigious guest. The story has a ring of similarity to it with the Greek story of Hades and his capture of Demeter’s daughter Persephone who was obliged to stay in the underworld a month for every pomegranate seed she had eaten. Both stories epitomize the dark days of winter and the release of the deity who brings back the sun. How much this story must have resonated with our early ancestors who longed for the return of the sun as we do today. Only then it also meant an ending to days of winter famine and freezing. We cannot truly appreciate in our time of modern heating and grocery stores the hard bitterness of winter for our Northern ancestors. And no time was more bitter and freezing for the Europeans than 536 CE, which will be the subject of my next blog post.

In the meantime, my friends, keep warm, wherever you are and be sure to ring in the new year with joy and friendship!

Seed of Yggdrasil — a review

Of any book in my personal library, Maria Kvilhaug’s Seed of Yggdrasil is the most breathtaking in its depth, scope and insight. A graduate of the University of Oslo and a long time scholar of Germanic culture and myths as well as a scholar of the Norse language, Ms. Kvilhaug presents a  fascinating foray into the Norse myths as you have never seen them. I found myself murmuring as I read this book “Well that makes sense!” as she explored the myths from the perspective of an open-minded scientist and historian. When you see the myths, not as stories but as allegories, things begin to click into place. When you begin to see evolutionary flow in the stories, you then realize that all of it was intended to be allegory, as any religion founded in Nature, is.

She also writes of spiritual allegory. “When one realizes that a Viking prince has to fight a giant called Hatred, another called Rage and must be reborn in order to win a battle he lost in his previous life, the Battle of the Rock of Greed, in order to restore the Peace of Wisdom and gain entry into the divine afterlife, what at first sight appears to be just another heroic legend of a tough guy who fights giants, become s a spiritual parable. In fact, the moment I started to apply my translated names to the old texts, a whole new world unraveled itself, a world of spiritual concerns, ageless wisdom and metaphysical and philosophical speculation; speculation that is sometimes almost compatible with modern scientific theories.”

Even if you have only a casual interest in the subject of Norse mythology, The Seed of Yggdrasil makes the myths much easier to understand. Furthermore, since the author is a Norse scholar, she is qualified to make judgement calls on translations of certain words, to which she adds her explanation as to why she does. Not only did I gain greater insight into the stories and the all probable likelihood of their place on, I gained greater insight into how the people of the Norse Culture saw their world.

Easy to read and understand, The Seed of Yggdrasil takes on an almost meditative, spiritual experience. Her deeply delving understanding of the Old Norse texts and her unwillingness to take anything previous scholars have written at mere face value without holding it up to the light of in-depth research, her a highly qualified writer on the subject. Because of her extensive studies in Old Norse, she is not simply regurgitating anything that has already been written. She writes about translating a passage from Konungsbók (The Book of the King, written around 1200 CE) while at the University of Oslo and remembers doing a double take at a passage that read “The Earth is as round as a globe.” Clearly the early medieval people comprehended much more than we give them credit for. As any reader of this book will see, Kvilhaug delves extensively into the cosmic myths of the Norse and when seen under her lens, they are seen with fresh insight. It is truly a remarkable experience.

My only pique with this book was not the price, though it was considerable. I paid over fifty dollars for it on Amazon, yet considered it immensely worth it. My issue stems from the fact it does not contain an index. I bought it for research purposes and I found the lack of an index somewhat debilitating. However, I was not adverse to reading such a book cover to cover merely for enjoyment. At well over six hundred pages, it is not a quick read, but certainly a memorable one.

Keeping Steamy in the Banya

Russian Banya by Janelop

There is a custom in medieval Slavic culture that still survives today in modern Russia and the Ukraine and that is the banya or bathhouse. The bathhouse was and is akin to the Native American sweat lodge, the Scandinavian badstu or the Finnish sauna. All of these produced heat and steam, encouraging sweating and a general detoxing. Likewise, all of these were at one time used for a spiritual experience. In medieval Russia and Ukraine, the banya was also a place where women went to have their babies. Icons were forbidden there, as was laughing, singing or any sort of boisterous behavior. It was regarded as “a habitation for witches and ghosts of the dead.” As Kenneth Johnson further writes in his book Slavic Sorcery – Shamanic Journey of Initiation, “In short, the bathhouse was a Pagan temple, and in fact, was called the “temple of the Mothers”, the Three Fates who represented the ancestors of the clan and whom we shall meet later on. Its association with “witchcraft” reminds us that the bathhouse was often the setting for esoteric rites of sorcery. A sorcerer might heat himself up in the bathhouse, then dive into ice-cold water and, through his own shamanic inner heat, warm the water and change its polarity.

The “Mothers” Johnson mentions are the Rozhenitsa who can be likened to the Greek Fates or the Norse Norns. There are usually three of them and they spin the destiny of every newborn child just as do the Norns.

In my WIP The Bone Goddess, Sigga takes Þórsteinn out to the banya to divine for him what he wants to know.

Sigga said nothing as she poured water over the hot stones. The steam soon enveloped the banya, wreathing both of them in its density. “Will you help me or no?” Þórsteinn’s voice came to her over the hiss of steam.

You speak of the Norns and of Óðinn, yet I thought the people here had abandoned the Northern ways and Slavic gods only were followed here. Are you from the North?”

He could not contain his curiosity. She allowed silence again to fall between them. She pounded the herbs on the stone, their pungent fragrance filling her nose. She threw them onto the hot rocks and soon the entire banya reeked of wild chicory and hempr. She sat back, and laid her head back against the pine planks of the banya.

“No, my father’s people came from Norvegr. My mother was Thracian and a Christian. She died when I was young and my father thought it best that my sister and I be brought back to the north country to be raised among his people and learn the old ways. He gave to me and my sister Northern names and he tried, for the sake of my mother, to follow her Christian god, but it was not in his heart to do so.”

“I hear that your Rus prince has forbidden the oak pillars, both Norse and Slav and dragged the idols in the streets when he married the Roman princess.”

She gave him only the barest glimmer of a smile. The banya was not the place for laughter if one did not wish to anger the spirits. She probably should have warned him.

Historically, the banya has also had its use for revenge. The Radzivill Chronicle tells us how the Rus Princess Olga got revenge on the Drevalian (a Slavic tribe) murderers of her husband Prince Igor. When the Drevalian leader sent word of his interest in marrying Olga, she sent word back that she would entertain the idea.

“When the Drevlians arrived, Olga commanded that a bath should be made ready for them and said, ‘Wash yourselves and come to me.’ The bath-house was heated and the unsuspecting Drevlians entered and began to wash themselves. [Olga’s] men closed the bath-house behind them and Olga gave orders to set it on fire from the doors, so that the Drevlians were all burned to death.

Slavic Bannik by Ivan Billibin

Perhaps one of the most interesting and persistent things about the banya, was one of its spooky inhabitants, the Bannick. Like most Slavic folk spirits, he has a dark side. The Bannik was variously described as being small and having hairy legs. He could be very malicious and great lengths were gone to propitiate him. It was because of the Bannik that icons were not allowed in the banya for fear of offending him. He is supremely a creature of the old pre-Christian forest gods. If offended he could pour boiling water on you or even strangle you, or at the very least invite a whole host of forest spirits in with him. The banya may have been a place where a volkhvy (Slavic shaman) would work his magic. In the tradition of the Native American sweat lodge, the banya was a place to transcend yourself, perhaps to go into trance.

The banya was not just a place to maintain good hygiene or to bring young children into the world, but a place to commune with the old gods, long after Russia and the Ukraine had officially accepted Christianity. Even the 1917 revolution could not crush the indomitable spirit of of the native Slavs and today Rodnovery or the Slavic Native Faith has made great leaps in popularity in eastern Europe, especially with younger Slavs as they seek to reconnect with their ethnic identity in an increasingly global, multicultural world that pays no homage to distinct ethnic identity.

 

 

Like Pulling Teeth

Today I’d like to address a few commonly held myths that, whenever I come across them, never fail to annoy me. One of them is the myth that medieval peasants were all walking around with a mouthful of rotten teeth and stinking breath. Nothing could be further from the truth. Honestly, he probably had a better set than you do. The main reason for this was a lack of sugar. Your average peasant wasn’t attached with a diehard addiction to a bottle of carbonated sugar water such as the average modern in western civilization. In fact, aside from honey (a rare delicacy) or the occasional apple or wild berries, he may never have even tasted sugar. Sugar was so rare, it was used only in very sparing amounts by the wealthiest individuals.  In fact it was not widely distributed in Europe until the late medieval era and even then it was prohibitively expensive. You might live your entire life and never taste a gram of the stuff. The main problem with medieval teeth was the consumption of stone ground bread. The grit that found its way from stone querns used for grinding grain into bread, could be problematic and would eventually wear down even the best set of teeth over time. However, dental caries affected less that twenty percent of the population of medieval western Europe (and perhaps even less in earlier Europe, if skeletons of early Anglo Saxons in Britain have anything to say on the matter), compared to nearly ninety percent at the turn of the twentieth century and the estimate that dental caries affect over half of America’s teen population today. Also, halitosis was not considered something that must be born with patience. Mouthwashes did exist, containing such herbs as  sage, rosemary, pepper, mint, and parsley, many of which also have significant antibacterial properties, in addition to making the breath smell sweeter. Used enough over time, they may have also been very beneficial for oral health.  While they may not have used toothbrushes, it was common enough to clean the teeth with a piece of linen and some burnt rosemary

Now that we have cleared that up, the next myth to debunk would the question of medieval people being significantly shorter that they are today. This myth is supposed to have arisen due to the poor health and conditions in cities during the Industrial Revolution. Stephen Nicholas and Richard H, Steckel have this to say in Heights and Living Standards of English Workers During the Early Years of Industrialization 1775-1815:

“Falling height of urban- and rural- born males after 1780 and delayed growth spurt for 13- to 23-year olds, revealed declining living standards among English workers after the Industrial Revolution.”

According to Sebastian Payne, chief scientist for English Heritage, this myth may arise from the shorter doorways of the period that were designed to be heat efficient in winter. Also, children took longer to reach puberty then and continued growing for a longer span of time than they do today. Furthermore, researchers were astonished to discover relatively few skeletons who in life had suffered from polio or tuberculosis. In fact most of the people of this period would have been far hardier, not to mention more wiry and fit than those of modern western civilization today.

While I am about it, I should probably point out that a lack of bathing is another commonly held belief about the middle ages. Public baths, just as in the Roman era, were quite common. In fact, most brothels in London required their patrons to wash before doing the deed with their girls. Not everyone could afford to immerse themselves in a full bath, but even the very poor would wash themselves spit-bath style. Baths were so important to the Norse Rus’ under Prince Oleg in the early tenth century, access to the the city’s baths was one of their requirements for leaving Constantinople unscathed, as well a good supply of food and wine. In fact, the Rus’ were known to be fastidious, utilizing bathhouses and saunas (as they had in Scandinavia) and the Slavic banya, which is very similar and which I may be discussing soon in another article.

So there you have it. While medieval people may not have had standards up the the modern Scope-swishing, Febreze-spraying, germophobic modern, neither were they the beastly smelling, rotten-mouthed, not to mention short-statured people that popular culture has led us to believe.

 

 

Landvættir — Guardians of the Land

 

Modern Icelandic coin showing the four landvaettir such as drove away the warlock

The landvættir in Norse belief were guardians of the land. Among the Anglo Saxons they were called landwights. In Iceland they were the hulduófolk (the hidden people). Among the Irish and Scots they were the pixies, brownies and fairies, who like the landvættir inhabited barrows, mounds and stone circles. They were universally venerated among the Norse and the dragon prows on Viking ships were designed to frighten the landvættir on foreign shores where ever they might approach. The prows were removed when approaching their home shore however, so as not frighten their own vættir. Many a housewife would place a bowl of milk or porridge out for these land spirits as an offering, both for protection and as a thank you. Many still continue this tradition, both those who identify as heathen or neo-pagan or those older folk in the old country who still identify with their ancestral beliefs.

There is a story told in the Icelandic Saga of King Olaf Tryggvason of a warlock who was sent from Denmark to spy out the defenses of the coast of Iceland. The warlock took the shape of a whale and encountered many landvættir:

King Harald told a warlock to hie to Iceland in some altered
shape, and to try what he could learn there to tell him: and he
set out in the shape of a whale. And when he came near to the
land he went to the west side of Iceland, north around the land,
where he saw all the mountains and hills full of guardian-
spirits, some great, some small. When he came to Vapnafjord he
went in towards the land, intending to go on shore; but a huge
dragon rushed down the dale against him with a train of serpents,
paddocks, and toads, that blew poison towards him. Then he
turned to go westward around the land as far as Eyjafjord, and he
went into the fjord. Then a bird flew against him, which was so
great that its wings stretched over the mountains on either side
of the fjord, and many birds, great and small, with it. Then he
swam farther west, and then south into Breidafjord. When he came
into the fjord a large grey bull ran against him, wading into the
sea, and bellowing fearfully, and he was followed by a crowd of
land-spirits. From thence he went round by Reykjanes, and wanted
to land at Vikarsskeid, but there came down a hill-giant against
him with an iron staff in his hands. He was a head higher than
the mountains, and many other giants followed him.

The warlock soon discovered that Iceland was well fortified with landvættir! According to a poll taken in the recently, as many as fifty percent of Icelanders still believe in the possibility of the landvættir! Iceland, is one of the few nations that still holds to a fairly homogeneous way of thinking and relating to their ancestral land. Much of this has been lost in her sister Scandinavian countries and in countries such as England, Germany, the Netherlands, et al, areas where the old beliefs of the land spirits once held sway.

In Iceland the huldufólk are sometimes attributed as alfar (elves) and are said to dwell in mounds. The concept of them is so strong, that in 2004 the international aluminum producer Alcoa had to have a government official certify that the area in which they desired to build a smelting plant was free of archaeological mounds and artifacts, particularly those pertaining to the huldufólk . In addition, roads have had to be rerouted so as not to offend these landvættir.

In The Plague Casket, Ulf and Sophia have a conversation about the Norse-descended Ulf who is an Úlfhéðinn. and mistaken by a band of Bedouins for a djinn. Ulf compares the desert djinn to the land spirits of his own ancestral homelands.

Finally he said, “Among my people I am called Úlfhéðinn. Yet I am nothing ghostly like a djinn. I am flesh and blood like you.” He glanced sideways at her. “You who even questioned your own icons, are you superstitious like the Bedouin and the Sabians?”
“Even the churchmen in Constantinople might question if you are possessed of evil spirits.”
He laughed. “So I am possessed by an evil spirit now? Among my people, the being the Hagarenes call ‘al-jinn’ would be called the Huldufólk – the hidden people.”
“Why are they hidden?”
“They are landvættir. They are part of the land, the rocks, the trees. They are only hidden from those who do not know what they are seeing.”

Many cultures have traditions of various spirits. As I have already discussed, these spirits have evolved with the time. The hulduófolk still maintain their presence among their people, shunning Christian crosses and modern conventions such as electricity. In an age where our planet is under constant assault from pollution, trash and a general sense of wastefulness, perhaps we would all do better to honor the traditions of the hulduófolk.