Last time I hinted briefly on the subject of Maria Scleraina, the mistress of Constantine IX Monomachos. Very little can be found about this lady save a few interesting tidbits here and there. When Constantine agreed to marry Zoe Porphyrogenita, his one condition was that he be allowed to bring his mistress with him. Zoe expansively agreed to that, even to the extent that Maria was given a title equal to her own – sebastea – and was present in all formal official occasions and processions. After years of clawing her way to the top, and numerous love affairs (she was now on husband number three) Zoe seemed surprisingly relaxed about the situation. By now she was in her sixties and while Constantine was a lover from back in the day, he was her junior by at least twenty years. Perhaps she no longer felt the need for competition for men’s affections. Perhaps she found Maria’s influence useful in some way. Whatever the reason, Maria was given full honors and prestige alongside her lover and his wife.
Maria came from a noble family and was in fact, the great-granddaughter of the rebel Bardas Scleros who twice revolted against the rule of Basil II. She was a lively and intelligent lady who enjoyed conversation and literature. Among her favorite things to read and discuss was the poet Homer. This was apparently well enough known that there is an anecdote by the historian Michael Psellos describing a procession in which Maria took part. As Maria passed by, an onlooker whispered, “It were no shame…” the first line of a verse from Homer’s Illiad. The entire verse is: “It were no shame that Trojans and well-greaved Achaeans should long suffer for the sake of this woman.” It is in reference to Helen of Troy. Maria was naturally delighted to be compared to Helen of Troy and, while maintaining serenity and poise during the procession, later had the speaker located and brought to the palace where he was accordingly rewarded with lavish gifts. This was the passage from Michael Psellos’ Chonographia:
There was an instance when we the imperial secretaries processed alongside the Empress (Zoe). Her sister Theodora and the Sebaste (Maria) also processed… This was the first time the people had seen the empresses together. One of the flatters whispered a quote from The Poet; ‘It were no shame…’ but did not finish the lines. Maria did not immediately acknowledge the words. However, when the procession finished, she both separated out the speaker and closely examined the comparison, not butchering the words, but pronouncing the quote correctly. So, the speaker recounted the comparison at length and in exactness. The audience heard the words at the same time expressed approval. At that moment Maria was filled with pride.
Maria is a personality that lends itself well to an interesting fictionalized character and as such, she is rapidly finding her way into the plot of what will be my fourth book in the Varangian Saga, The Red Empress. In this, her love of literature (in particular Homer) has made her seem to leap off the pages, as in this instance her encounter with my fictional character Asbjørn:
Asbjørn stood in the entryway to the gynaikonitis, ill at ease and unsure of himself. When the eunuch motioned him to come forward, he did, but reluctantly. Maria was seated, surrounded by her ladies in front of an alcove with windows that opened out onto the sea. From where he stood, Asbjørn could smell the sea, even over the heady floral aromas that pervaded the room. Someone had thrown sandalwood on the brazier. It was strong and it made his head feel clouded.
He made obeisance to her. She made a gesture with her hand to one of her serving women who brought a large bound codex forward. “This is for you to read. Homer’s Iliad,” she added, by way of explanation. Asbjørn took the bound volume in his hands, as one might a newborn child. A shock went through him, as he touched the leather binding. It was as Rastislav had always said. Words were powerful. They contained a magic that could not be explained. Was this not why Óðinn had hung on the Great Yew Tree, to gain the power of the runes for all mankind? Holding a volume like this took his breath away. It had been a long time since he had held any book in his hand. “I cannot do this, kyria,” he told her.
“You read well. Any man that can read Plato can read Homer.” She smiled at him.
“It is not that. I cannot be responsible for such an expensive book. I fear something would happen to it. I fear being beholden to you.”
“You would be beholden to me if you did not read it. It is my very favorite of all writings. I desire that you should know it as well.”
His unease, rather than being diminished, only heightened. He had not come here to read the Iliad. His sole purpose in Constantinople was to find the men who had been the scourge of his family and see their society torn asunder. In spite of himself, he opened the cover. He could smell, only faintly, the odor of old parchment and the distinctive aroma of gum arabic and cuttlefish ink. The copyist had a fine hand, clear and legible, though the manuscript was old enough that the ink had begun to fade. The first words reached out and pulled him in: Sing, O goddess, the anger of Achilles son of Peleus, that brought countless ills upon the Achaeans.
The only thing he had to compare were the old stories of the gods of his people that his sister had told him by the fire on winter nights. Part story, part poetry, part incantation.
He looked up at her, lost in a space of time, wondering how long they had all been looking at him. How long he had been lost in the page.
“It is not like the Church Fathers or even Plato at all, is it now?” Her eyes sparked at him, daring him to disagree. He had no words.
“I will read it,” he said. “Thank you.”
She clapped her hands together. “I am so glad. And when you have finished, I want to hear which parts you favored best.”
Somewhere I read that Maria gave Constantine a daughter, Anastasia who was later given in marriage to Vsevolod I of Kiev. Anastasia is certainly mentioned as a relative to Constantine IX, but it is not entirely clear if this is how. Maria had a good deal of influence on her lover and perhaps used to it to some effect to bring about the destruction of George Maniakes. It is known that her brother Romanos Skleros had land adjacent to Maniakes and there was no love lost between these two men. He was said to have pillaged Maniakes’ land and to have “desecrated the marriage bed” which one could take to interpret that he either raped Maniakes’ wife or seduced her. This certainly must have had some bearing on the reason Maniakes finally rebelled in 1043, having his troops declare him the true and rightful emperor. It almost makes American politics pale by comparison. Almost. In any case, Maniakes’ forces were destroyed by the emperor’s at Ostrovo and he was killed.
The emperor’s preferential treatment of Maria unsurprisingly led to theories among Byzantines that there was a conspiracy against the true empresses Zoe and Theodora and even rumors that she was planning on murdering them. This led to an uprising in 1044 in which a mob actually threatened harm to Constantine during a procession. The empresses made an appearance on a balcony to assuage the fears of the people. Soon after this, Maria passed away. Not all influential women made history books as did Cleopatra, Joan of Arc or Elizabeth I. Maria was one of those who was content to play her role quietly behind the scenes. Some historians would like us to think that Byzantine women spent their whole lives cloistered behind the walls of the gynaikonitis, never speaking for themselves or showing their faces. (The riot in 1042 in Constantinople spoken of in a previous post in which the women of the city emerged to protest the cloistering of the Empress Zoe refutes this notion.) In fact, women like Maria appear to be as fully educated as their male counterparts and even at times, as outspoken. Yet perhaps sometimes they found their greatest influence exhibiting their sparkling charm, wit and gracious femininity as did Maria Scleraina. This, then, is the true power of a woman.