
Seen from a distance the Citadel was a sprawling hill, topped by domes and arches, sloping down to the city of Emesa and the desert that encircled it. The entrance was a high face of sand colored stone, flanked by towers and entered by a long narrow bridge that gave way to yet another imposing gate. Bab al-Souq rose up before them, the stone golden in the afternoon sun. Dusk was sifting down into the street, thickening the shadows.
I mention the city of Emesa, Syria in my book The Plague Casket, as a destination by Ulf and Sophia. Today it is known by the Arabic name of Homs, though there is reason to believe that the Byzantines would have continued to refer to it by its Greek name, even after the Muslim conquest and subsequent loss from Byzantine control. It is a city that is no stranger to strife and siege. Homs has long stood as a key center of trade and agriculture going back to at least the Christian era. It was the home of the Roman empress Julia Domna who was a daughter of an hereditary high priest to Elagabal . It had, at one time, a great temple dedicated to this sun god. Currently the Great Mosque of al-Nuri stands on this site. One of the priests of the sun god Elagbal, was the seriously delusional Roman emperor Elagabalus (born Varius Avitus Bassus, also the grand nephew of Julia Domna) named for the god whom he served.
Homs is also referred to with moderate frequency by Usamah ibn Munqidh in his memoirs as published under the title An Arab-Syrian Gentleman in the Period of the Crusades. This venerable Syrian gentleman gave his name to the Citadel there. The tell upon which it was built dates back to at least the Bronze Age. Its strategic position on the Orontes River made it coveted by whomever had military designs in Syria, including the Byzantines. The Hamidids took control in 944 and it was from them that Basil wrested control in 999.
As a city, Emesa may have been founded by the Seleucid kings, following the death of Alexander the Great. It was already a very old city by the time Ulf and Sophia enter its gates in The Plague Casket. It has been identified by some archaeologists as the biblical Zobah which would date it to at least 2100 BCE. The Romans tolerated the worship of the pagan Elagbalus which during the Christian era gave way to churches which were torn down or converted to mosques when the Arabs regained control over the city. The city’s mosques were returned to Christian use when the Byzantines raided Syria in general and Emesa/Homs in particular when Basil II made yet another sweeping foray into Syria in 999 CE. The Arab geographer, Muḥammad ibn Aḥmad Shams al-Dīn al-Maqdis wrote in 985 that Homs was the largest city in all of Syria, but that it had suffered great misfortunes, indicating it had already been the source of much conflict, including the Arab-Byzantine Wars.

When Basil entered the city, he may have ridden through any number of her historic gates. They were Bab al-Souq (Gate of the Market), Bab Tadmur, Bab al-Sebaa (Gate of the Lions), Bab al-Dirayb, Bab al-Turkman, Bab al-Masdoud (Closed Door) and Bab Hud.
Many Arab tribes came to settle near Homs, among whom were the Banu Kilab who also receive mention in my book. A proud Bedouin people, the Banu Kilab tended to support the Fatimid regime, though in the late tenth century it was the Hamidids who tried to maintain control over the city. Often the Hamidid cities were vassals to the Byzantines and paid suzerainty to the Byzantine Emperors or their representatives as did Sa’id al-Dawla , emir of Beroea (now Aleppo). Throughout the early eleventh century it was the Banu Kilab who maintained control over Homs, as Basil concluded a ten year peace with the Fatimids so he could continue his Bulgarian wars.
Today the original city and its citadel lie in ruins outside the modern city of Homs, which has had its own insurrections to deal with. Before the Syrian Civil War it was a major center of industry for Syria. The area is home to many cultural and historical landmarks such as the Crusader castle Krak des Cheveliers and it is to be hoped it does not meet fate of so many icons of the area as did the Roman theater in Palmyra at the hands of ISIS insurgents. War has often been responsible for the destruction of things that give us a window into the past. Perhaps this wanton and tragic demolition can be halted, by those who care to preserve the past to better our understanding of the future.
Resources:
A Brief History of the Roman Empire
By Stephen P. Kershaw
Cities of the Middle East and North Africa: A Historical Encyclopedia
edited by Michael Dumper, Bruce E. Stanley
An Arab-Syrian Gentleman in the Period of the Crusades
by Usamah ibn Munqidh
I was given this coin as a thoughtful gift by a friend a few months ago. The coin does not come from exactly the same era as The Serpentine Key, but it is very close. In fact, the emperor depicted on the front is Constantine VIII, younger brother to Basil II, who is the Emperor in The Serpentine Key. Constantine co-ruled only nominally with his older brother Basil II. While Basil decided to throw off the oppressive regime of their great uncle the eunuch Imperial Chamberlain, Basil Lekapenos and take a serious interest in the affairs of state, Constantine showed no such inclination. He and his wife the Empress Helene continued the party lifestyle. It was one that ill prepared Constantine for sole rulership when Basil died in 1025. With Constantine’s daughter, Zoe marrying Romanos III Aryros and producing no issue, it spelled the end of the Macedonian dynasty and all the work Basil II had gone to to ensure that the Byzantine Empire would remain financially stable.
In The Serpentine Key, Sven Thorvaldson serves as emissary to Vladimir, Prince of Kiev, from Basil II, Emperor of the Eastern Roman Empire, bringing in the Norsemen who would eventually become the Varangian Guard.
In The Serpentine Key, the secret to Greek Fire is stolen through the subterfuge of a member of the imperial family itself and used as a bargaining chip in the intrigues surrounding the rebellion against Basil II in the 980s.
Of the two plants known as hellebore to the ancients, only one was true hellebore. They were not related, but both were very poisonous. Black hellebore Helleborus niger is the true hellebore and sometimes used as a purgative. White hellebore or false hellebore (Veratrum album ) is the subject of this article. It is most famous for its role in its use in poisoning the water supply of the residents of Kirrah by their Greek besiegers. The besieged were so weak from the emetic effects of the plant, they were unable to withstand the assaults of the enemy upon their city.
Poison! Just the word would cause a medieval citizen of Constantinople to cast a furtive glance into his or her cup. Almost all the poisons available to the people of the Middle Ages were derived from plants. Not all who were suspected of dying of poison, necessarily did so, but it is a testament to how common it was and much the danger was ever present on the mind of especially upper class Byzantines.
Of the ones we will talk about in this series, most notorious is Aconitum, among many other names also known as Monk’s Hood, Wolfsbane (for its reputation in poisoning wolves) and Queen of Poisons. It belongs to the family Ranunculaceae, including over 250 species. The Byzantines would have been very familiar with this deadly poison, dubbing it lykotonon — “wolf slaying”. Historically, Cleopatra VII of Egypt was said to have poisoned her brother Ptolemy XIV with aconite. In classical mythology, the sorceress Medea attempted to have king Aegeus unwittingly kill his own son, Theseus with a cup poisoned with aconite. It is said to have sprung from the spittle of Cerberus, famed three-headed dog of Greek myth. Even touching this deadly plant, especially the roots, can gain you an unpleasant death.
Dessert is an apt conclusion to the series on food. Desserts, including sweetmeats and honey cakes were eaten by the higher classes, including koptoplakous, the ancestor to baklava still eaten in Greece today. It would have certainly been on Theophana’s table:
